Tuesday 24 November 2015

Innovations in Structural Art by Stanford Anderson by Eladio Dieste



Friday 20 November 2015

Innovations in Structural Art by Stanford Anderson by Eladio Dieste

Note: the book includes essays by historians, practicing engineers and architects from more diverse points of view.

Dieste was well known for the innovation of Gaussian vault; a thin-shell structure for roofs in single thickness brick that derives its stiffness and strength from a double curvature catenary arch from that resists buckling failure (Anderson and Dieste 2014). Dieste embraced the technique of reinforced masonry that in his day was little know and less exploited, and through that technique he, invented structural types that he employed daringly.

He rediscovered brick not out of a sense of nostalgia for the past but rather in light of  its inherent virtues- its being resistant, elastic, inexpensive and having acceptable thermal features. In addition, as Dieste further notes its shape give prestige to the material in its structural function. He understood that art and architecture were integral to the making of the best buildings and cities of the past and had to be part of any desirable future.

‘Dance without effort or fatigue’ Eladio Dieste
Dieste used these words to describe the goals of his work.


Creative work in architecture or engineering is the product of harmoniously considering the essence of functionality or utilitarian aims, a resistant function and a structural type and economy and its constructive process as well as the aesthetic qualities of the construction’s shape’s and dimensions (Anderson and Dieste 2014).Example of such architecture is the Gaussian shell (bus terminal)



                                                                        Fig.1 

Two major innovations in structural types in reinforce brick masonry. First type was the no continuous side wall support or buttresses, no tympanum or arch under the vault at its ends. Dieste termed this structural type also as ‘self-carrying vaults’. The second type was vaults rest on columns –or even a single column.



                                                                          Fig. 2 


Another example of his work is the Church at Atlantida, Uruguay 

                                                                            
                                                                          Fig.3




                                                                           Fig 4



Felix Candela’s work can be compared to that of Eladio Dieste. This is because, both are well known internationally for their elegant designs of vaulted structures built in the 20th century. Candela built a number of renowned structures with reinforced concrete in Mexico. The choice of the materials was partly based on the social context and the economical solutions.

Reference:
Anderson, Stanford, and Eladio Dieste. Eladio Dieste. New York: Princeton Architectural Press, 2004.

Figures

Fig.1 http://kubuildingtech.org/sarcweb/Assemblages00/dieste/htmlfiles/images/images/bus/bus1.gif

Fig.2 https://s-media-cache-ak0.pinimg.com/236x/57/9c/75/579c75b7cdcb8bc3240d9e7569f8affb.jpg

Fig. 3https://betterarchitecture.files.wordpress.com/2014/03/eladio-dieste-brick.jpg?w=500

Fig.4 http://www.bravepraxis.com/images/3505.jpg


Sunday 1 November 2015

Structure as Space by Conzett, Jürg, and Mohsen Mostafavi




30 October 2015

Structure as Space by Conzett, Jürg, and Mohsen Mostafavi

Mohsen Mostafavi is an architect and educator. His work focuses on models and processes of urbanism and on the interface between technology and aesthetics.

The book is analyse the work of Jurg Conzett's a Swiss engineer who has redefining the relationship between structural engineering and architecture. The work and theories of other engineers and architects are also present in the book, among them is Brunel, Peter Behrens, Calatrava, Le Corbusier and Antoine Picon.  




                                                                           Fig.1


The work of Conzett precedent stylistically more interpretative than singular. His work focuses and addresses n an interpretative model as a process of weakening it approximates Vattimo's thinking. It is engages structural principles with a much wider set of pragmatic and pragmatic concerns which it responds to new and extraordinary ways (Mostafavi 2006). 

An example of his work is the Traversina Bridge, in Switzerland


                                                                                  Fig.2

Conzett's bridges had a particular quality, the way in which they fit, both physically and experientially. His bridges become important elements in the formation of a specifically Swiss landscape, part of a geographical bound and constructed national identity.


Project: Intervening in the City

Regarding the landscape near my site is very limited. Thus as my Macro- Museum is the Natural History Museum I will incorporate in the scheme the Wildlife Garden. The introducing of such garden next to an office building might be challenge but I believe it will fit in the surrounding urban context as the area has not public space.  

Reference:

Conzett, Jürg, and Mohsen Mostafavi. Structure As Space. London: Architectural Association, 2006. Print.

Figures

Fig 1 http://www.gsd.harvard.edu/images/content/5/2/v3/526849.jpg
Fig.2 https://s-media-cache-ak0.pinimg.com/564x/c0/ff/8d/c0ff8d660ed25254677d02baab29624b.jpg