Friday 6 November 2015
Bonington Gallery at Nottingham Trent University
Friday 6 November 2015
Symposium: In Place of Architecture
My colleagues and I had the chance to visit the
Symposium in the Bonington Gallery at Nottingham Trent University. The
Bonington Gallery is a contemporary gallery space. Artists are invited to spend
a period of time in the Gallery to create lines, marks and tones that explore
and respond to the space through different processes (Bonington Gallery,
2016).
After my BA, it was the first combine teacher/
student exhibition I visited and I was curious about what I was going to see.
At the beginning, we saw the exhibition in the Main Hall of the Gallery and
then the Photography Dialogue: Constructing
a space for remembrance. The presented work was very meaningful as it was
‘touching’ sensitive events of our era. The BA Architecture students, as part
of their research visited the National Memorial Arboretum. Most of the images
in the exhibition responded to commemorative architecture.
Fig1
The images where very
meaningful giving a powerful massage to the viewers. I a map of Nottingham very
interesting as it showed, key buildings and locations as memory points, some of
them invisible now as have rebuild and other points with statues as remembrances. The poster with map of Nottingham navigated
me through my own memory of buildings and I was able to see how these buildings
have been transformed throughout the history and into the present. I wondered
about the extent to which these buildings influence people and how their
existence always reminds people of events in history. There was a comment on
the black wall which attracted my attention that stated ‘Always remember’, and
personally, I do believe that people do remember the past, whatever happens. Fig. 2, 3 and 4
The idea of exhibiting the work above a black wall was very inspirational and meaningful. At the black wall everybody was invited to write their thoughts and feelings. This gave visitors the opportunity to interact and express themselves along with the artists in the exhibition.
Figures:
Fig. 1 Michael S, 2015
Fig 2,3 and 4 Michael S, 2015
Fig. 1 Michael S, 2015
Fig 2,3 and 4 Michael S, 2015
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